how we turned the ship around
Set in 2029, Assembly for the Future – part of Bleed festival – invites thinkers and artists to address an Australian audience in 2020 to let them know what the future holds.
Set in 2029, Assembly for the Future – part of Bleed festival – invites thinkers and artists to address an Australian audience in 2020 to let them know what the future holds.
Tonight I rise to invite Prime Minister Tony Abbott to visit the beautiful state of Western Australia.
An impressionistic view of the place we want to create: home town, home state
http://youtu.be/0fYhZHNnlO4 30 second TV spot for the March 2013 state election on the theme of ‘Solar Goldfields’, showing just a hint of influence from my trip to Spain in December. Adobe Photoshop / Premiere / After Effects; 3D modelling in Carrara. Soundtrack by Jose Garcia
30 second TV ad on the theme ‘True Progress Southwest’ created for the March 2013 state election. Adobe Photoshop / Premiere / After Effects; 3D models in Carrara Soundtrack by Jose Garcia
30 second TV ad riffing on the theme of ‘True Progress’ created for the March 2013 state election. Adobe Photoshop / After Effects / Premiere, 3D models in Carrara Soundtrack by Jose Garcia
Created on the eve of the mining tax debate in the Senate – in an effort to visualise the numbers behind the policy and express a certain frustration in the outcome. Created mainly in adobe after effects 5.5 with help from photoshop and a little bit of carrara 5. Music composed in logic audio. Script mainly by ebony bennett, with help from david paris, clare ozich and john hawkins. i’d like to be able to do more of this stuff.
Created for ‘The East Perth Power Station History Project‘, a wonderful piece of online history documenting the evolution of the Swan River Colony’s first power station. The 3D model was built up using original plant schematics dating back to 1916, with a lot of help from Dr Richard Hartley and other good folk at Engineers Australia. Big thanks to Marjolein Towler for letting me in on this great piece of work. 3D work in Carrara 6, compositing in after effects 5, music composed in logic audio.
Filmed around central tokyo between january and december 2010, to try and scratch the itch of the extraordinary 24/7 wonderland of shinjuku, shibuya and parts surrounding. Shot on a canon E0S 50D still camera and Canon Legria HF20 video camera, processed in Adobe After Effects and edited in Adobe Premiere. music composed january 2011 in logic audio. Thanks to Rico and Paris for their forbearance.